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EPISODIC 101: Level 2
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Fiction Writer's Character Chart

This handy document (best if you print it out) offers you a way to fill in details about your character. Great development tool provided by the elegant eclectics.com site.

 

Second That Emotion

By Joel Phelps

One trait all humans share is our ability to feel, to have an emotional response to either internal or external stimuli. In order to create realistic, relatable characters, you have to duplicate that trait in them.

Determining this trait will give you the clue to what I call a character's emotional core -- the vital essence that motivates his or her every action, consciously or subconsciously. This core also plays a major role in the way in which audience members perceive your character.

That's a lot of pressure to put on a writer anxious to create a memorable, fascinating but fictional human being. So where to begin?

A good opening move is to ask yourself, what is important to your character? What does she want more than anything else? Why does she want it? To what lengths will she go to obtain it? The answers you choose and the way you present them to the readers will largely determine the degree to which your readers will be able to empathize with the character.

As an example, let's look at a character we'll call "Karen." While deciding the character's goals, we give her the trait of caring most about finding romantic love. The desire for human companionship is readily understandable to almost everyone, meaning Karen could very well be a character with whom the readers could empathize.

Next we'd try our hand at determining the reason(s) behind this goal...understanding why Karen wants to find romantic love, why that has become the most important thing to her. Doing so means developing a history of Karen's life.

What past event(s) have led her to desiring this more than anything else? The possibilities are endless, but could include the following:

  • Her favorite aunt died without having married, and confided to Karen that growing old alone was the worst thing that could happen to a person. Or...
  • She's the only one of her friends who's not married and she feels left out. Or...
  • She was once in a relationship that ended badly and she's hoping the second time is the charm.

Each possibility not only offers a different reason for Karen's feelings, it adds the benefit of provoking a different response in the reader. So you should start deciding how you want your audience to respond towards your character. They might surprise you--in fact, they probably will--but you can still try to shape their reactions in different ways.

For example, selecting the first hypothetical rationale for Karen's need for love (the single aunt theory) means Karen's primary desire is fueled by fear; the second option (no other single friends), envy; the third option (bad prior luck), optimism.

Let's assume we want Karen to remain a likable character and we choose the third option, believing optimisim to be an admirable trait. Our next step is to determining to what lengths your character will go to obtain what she wants.

This step is very closely tied to the previous one, in which we asked why Karen wanted what she did. Since we've decided Karen had a bad experience but has since recovered enough to want to try again, it's unlikely that she, having previously been emotionally wounded, would willingly inflict the same type of damage upon another person. So it's safe to reason that Karen would stop short of intentionally inflicting that same type of pain upon another person in order to reach her goal.

By answering these questions, we've accomplished several things. We've given Karen ...

  • a goal, which translates into a storyline;
  • a rationale for wanting to accomplish her goal, which serves the dual purpose of making her emotionally accessible to the reader; and
  • a moral code by which she'll act as she tries to reach her goal.

Though greatly simplified here, this method of creating characters can be extremely useful. It ensures that your characters have a storyline, a motivating factor behind their actions, and a code of ethics by which to act (and for you to test as you advance your plot).

As your characters either accomplish or are denied their goals, the answers to each of the questions can and will change, but keeping the new answers in mind should enable you to follow new directions for your characters and allow the readers to follow their evolution.

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About Joel Phelps:

Texas-based Joel Phelps writes and produces the online series "Gossamer," a featured site at the Episodic.

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